作为第二部的续集,这部拍得有点让人失望,恢复正常的拍摄手法,当然了,如果一直用第一视角会让人觉得很尴尬。
根据官方的报道,这是改系列的最后一部,以后不会再出相关的续集,但这一部作为收尾,明显有点仓促,第二部莫名其妙的神学到了第四步就变成了生化之间的较量,小女孩出现恶魔护身的情况是因为寄生虫的原因。
这第四部的改动就让很多东西站不住脚了。
1.寄生虫看样子是无法繁殖的,可以感染,碰到强劲的宿主才会转移,那么小女孩的时代,为什么一直都存在于小女孩的身体里,没有转移宿主?
2.为什么寄生虫会对十字架这么敏感?
3.这真是神一般的寄生虫,能够操控感染者,而已可以实现对话,这比寄生兽还要寄生兽。
最为系列的最后一集,终于收场了,但是不推荐看。
首先我想吐槽第三部的剧情真的非常狗血..叫起源完全日不懂...第二部至少告诉我们们敌人是谁....当然要说起源应该是解释附身的寄生虫到底怎么来的....第二部给第一部的结尾衔接的太妙了...恶魔女为何一直能藏在顶楼没有被发现.也呼应第一部的设定...可惜啊第三部太让人失望了...这么秒的剧情戛然而止... 第四部承接1和2剧情有进展但是最后依然又挖了坑......当然了如果可以有第五部前面的剧情还是可以圆回来的...那大概个寄生虫其实就好比定时炸弹...是恶魔为了侵入表世界埋下的种子....等待爆发而已...第一部的恶魔女算是第一个被附身的.....只能用夜视仪看到恶魔女和环境也会发生变化...这个设定很妙(恶魔只能在黑暗中现身或者镜子中显现真身)....说明只有真正的始祖才有的能力...被咬的人只是充当打手...
医院,住宅楼,废弃工厂...这次死亡录像将片场转移到了船上。
坦诚的说这部电影感觉上合记录类恐怖片毫无一点关系,录像机在片中也只是出现过一次。
丧尸类电影始终离不开变异,相互传染,这部电影到也贴切循规蹈矩。
片中的亮点是丧尸妆容,满脸的斑和腐烂更给丧尸添加了一些恐怖,虽然数量出现的并不多,但是恐怖程度不错。
杀丧尸的工具也是一样的循规蹈矩,最终还是电锯来的痛快。
还有值得一提的感染源与猴子的作用,如此善逗血腥的猴子要比疯狗更加恐怖,可惜描述不多。
在厨房猴子和厨师那一站充满血腥。
如果要是恐怖片效果很不错,但是记录恐怖片离题材还是太远。
这部和第三部还真是烂的各有千秋啊,算是把这个系列毁完了剧情:剧情很烂,导演一定觉得自己拍的老悬疑老震撼了,最后还有反转,实际上根本经不起推敲,蠕虫从女主跑到男主身上,结果到最后女主才说出真相,合着你前面是失忆了吗?
非得等结尾才说出真相,早点说早点把男主绑起来也用不着死这么多人人物冲突制造得非常生硬,大家都是一条船上的人,前期那些博士跟谜语人一样死活不解释清楚病毒是什么情况,非得等闹大了才解释,然后你就能看到一脸懵逼的男主一群人跟谜语人博士一会儿合作一会儿对立。
恐怖片里如果人类方有分歧对立那么这部电影就离烂片不远了还有男主被蠕虫附身了为什么前面还要保护女主,后面蠕虫要杀了女主,这不是和前面男主保护女主的行为冲突吗,这样显得结尾的反转更生硬了这个系列的大背景就是教会和政府一起在研究破解一定病毒,这系列神父作用>特警,这部时间线在第二,三部之后,理论上应该有情报知道圣经可以控住僵尸,结果船上居然一个神父没有,这完全不合理啊人物:最开头特种部队突入一段,队友被感染,男主等人很干脆的就把队友解决了,我还在想没有那种假圣母的人物塑造挺好的,完了后面又开始刻画男主等人的人性,把博士写成冷酷无情的角色来跟主角团对比,这种写烂的模板套路,结果还刻画不好,最后又是烂片经典的主角团一定圣母看得观众高血压还有那个胖子居然活下来了,队友被杀,他就在旁边干看着,这种出生居然让活下来了,编剧不会也是个喜欢监控偷看别人换衣服,别人出事干看着的肥猪吧😅视觉:这部看着就是有钱了,各种场景来回转,时不时还给船一个大镜头,但跟第三部一样,抛弃了《死亡录像》最精彩的摄像机第一人称视角,缺少代入感,第三部有几个摄像机视角还算出彩,这部干脆一点都没有了,只有几个监控镜头也叫死亡录像啊……总结:烂片,别看,浪费时间
死亡录像4:启示录 (2014)5.72014 / 西班牙 / 剧情 惊悚 恐怖 / 豪梅·巴拉格罗 / 曼努埃拉·贝拉斯科 哈维尔·博泰特
2014年,恐怖剧情惊悚电影《死亡录像4:启示录 | [REC] 4: Apocalipsis》没想到都烂尾了还能拍出第四部来。。
也是辛苦了。
剧情已经没剩下什么了,连脑子都用不上了 剩下的就是脑残的槽点了。
先从电影名开始吐槽吧,第三部起源?
第四部启示录?
这是什么设定?
乱起名字。。
对一个楼房都可以如此的大动干戈,在第一部里,那防护措施弄的。。
然后这部集中的研究地点居然是一艘破船。
还没什么隔离和保护措施。
是没钱拍了吧。
我怎么记得第二部只有女主活下来了?
那个男的是谁来的。。。
从病毒到宗教,从宗教到寄生虫。。
如果说被附身是因为寄生虫。。
那么多年查不出来呗。。
这货简直堪比外星生物。。
结尾还有心思拍5呗。。
其实和什么恐怖食人鱼,水下怪物连起来就好了。。
也别拍了,铁线虫就不错。。
中间的槽点更是多,死亡录像 也没有录像了,只剩死亡了。。
女主感觉也老了许多了。。
想想也7年了。。
回头来看其实就第一部非常的点题,也非常的好看,封闭空间恐怖实录。
悬疑谜题点到即止让人意犹未尽。
后面基本都是狗尾续貂了。。
变成非常粗糙的血浆电影了。
--我是主播的分界线推荐指数:★★(4/10分),主播遇到真爱粉,已经没有什么可以阻止他们的了。
几点疑问:1.病毒来源究竟为何物,以及它的来源。
2.自始至终结尾都没有交待照片中小女孩的身份。
3.教会为何物,是一种莫名奇妙的讽刺吗?
4.人性的阴暗与冷酷表现的恰如其分,不多不少。
5.衔接的设计,让人一头雾水。
为什么最后会在海上搞研究,明明知道它是通过液体传播6.为何感染体要转移到更加合适的宿主,何为合适的宿主。
7.呆萌的工程师尼克才是救世主啊,虽然他胖的有些可爱,但正是偶像的力量让他突然勇敢起来,为了一种单纯的信仰而去拯救女角。
显然,他们成功了最后。
8.最后恶魔还是冲出火海,隐匿进了大海。
总结;本来因为第一部片子的设置使得期待很大,结果编剧一直没把故事讲清楚。
有一种云里雾里浑身不自在的感觉,不痛不痒,没有太大感觉。
终归来说,录像的纪实手段很有意思。
After the demise of the Spanish Police GEOs team sent in to deal with the situation in the second film, the fourth film opens with the Army taking control and sending in a Special Forces Team to recover Ángela and destroy the building. They begin setting bombs all over the apartments, but when they're ambushed by the infected Manu and the old man, they then kill them off and kill the officers infected as well. They then hear Ángela's screams for help and tell her it is time to get out.Ángela wakes up in a room where Doctor Ginard is performing tests on her. He asks her if she remembers anything and she says no. Ginard takes a blood sample to make sure she's clean. A GEO, Guzman, finds an elderly lady, who is revealed to be the only survivor of the events of the third film. He meets up with his partner, Lucas. Ángela attempts to escape the lab, and runs into Guzman. Both discover they are on a boat. Doctor Ricarte and the soldiers tell them that the situation is under control as Ángela's blood returned clear of any infection.Guzman is introduced to Captain Ortega, who's making his last voyage, and Nick, who's in charge of com-apps. Nick is trying to recover the footage from Ángela's camera. Later that night, a blackout occurs. Guzman finds Ángela walking in the hallways of the ship. She claims to have gotten scared and Guzman keeps her wandering a secret. The next afternoon, Ángela meets Nick, who's a huge fan of hers. He shows her the tape and Ángela begins to remember Tristana Medeiros. Nick also sends the file to the labs for them to look over.Ricarte and his team discover that their test subject, an infected monkey, was released during the blackout. The monkey attacks and infects the ship's cook. Their blood contaminates the ship's food supply, which infects most of the crew through ingestion. After unsuccessfully testing an antidote on the cook, they leave Ángela, Guzman, Lucas and the old woman in the cafeteria. It turns out Lucas took a sample of blood from the building and knows that the people in charge are the Vatican. After they arm themselves with knives and kill two infected men and a monkey, the old woman is separated and Lucas volunteers to find her while Guzman and Ángela go to the Captain and Nick for help.Ricarte gives up with nothing left to do to stop the infection and then decides to pursue the “protocol.” Just before doing so, his assistant informs him of receiving the uploaded footage. Ricarte witnesses Tristana inserting a worm-like parasite into Ángela. He attempts to extract the parasite by forcing surgery on Ángela, who pleads that she doesn't know what he's talking about, but before an incision can be made, the captain's assistant who is now infected breaks in and bites Ricarte's assistant which allows Ángela to escape. Ricarte and his team then go to search for Ángela but then seals himself away after the cook is released and attacks his team only to be attacked by Ángela, who bites him, telling him to scan his blood and see for himself that he is mistaken. Guzman, Lucas and Nick then try to find weapons and a way to restart the ship. Nick then tells them that Ángela is alive so Guzman goes to find her while Lucas and Nick head to the boiler room. Ricarte proves Ángela's theory when his analysis returns negative. Still, Ricarte is convinced that Ángela is tricking them so Guzman asks Ángela if she is, but then she asks Guzman if he has been tricking them all along. It's revealed that Ángela passed the parasite into Guzman during her rescue. Ricarte then sets the ship to self-destruct and escapes while Guzman traps Ángela below.Lucas is then killed by the infected in the boiler room and Nick finds Ricarte, who has a lifeboat. Nick asks for Ángela but Ricarte tells him she's as good as dead. Nick knocks him out, takes the lifeboat and searches for her. He later finds her, and both kill the infected monkeys with a boat-motor. They hide from the infected in the cafeteria and then are attacked by Guzman. The parasite possessing Guzman then attempts to reinstate itself into Ángela but she kills Guzman with a fishing pole thanks to Nick. Ángela and Nick leave the boat as all the infected chase after them. Ángela jumps into the ocean and Nick follows, escaping as the ship explodes. Underwater, the Parasite gains consciousness and dives into a fish's mouth.During the credits, Ángela and Nick are shown in a cab, having made it home.Filming:On 3 May 2010, Bloody Disgusting announced that "...Filmax will produce two new [REC] films in the next couple of years called [REC] 3: Genesis and [REC] 4: Apocalypse with the same directors as the first two films".Genesis was released on 30 March 2012. It was directed by the Co-founder of the REC franchises, Jaume Balagueró, who co-wrote the script along Manu Diez.Carlos Fernández, Julio Fernández and Alberto Marini returned 4th time as executive producers.In an interview with Fangoria, director Balagueró stated that the film would not have an apocalyptic style presumed by its title, stating, "All of the movies in the [REC] series have the same budget, so you’re not really going to see big scenes of Barcelona full of zombies; they’re just not intended that way. There has to be a story that’s controlled and strong." Apocalypse is set to follow the events of the second film, and will not be made in the "found footage" style. Production was scheduled to begin in 2013. At the 2012 Sitges Film Festival, it was announced the film would have its world premiere there in October 2013. An announcement trailer was released in late November, confirming the return of Manuela Velasco.[citation needed]However, in early May 2013, Balagueró stated that the film's production had been delayed and the film would now premiere sometime in mid-2014, but did confirm that Manuela Velasco would be starring in the fourth film. Teaser posters and an updated premise were released early May. Filming began on 13 July 2013 in Gran Canaria, aboard a Russian merchant navy ship.A theatrical trailer for the film was released in April 2014.Rated:R18+Review of the Film Final Rated:2/5(2/10)
原本看完第3部很失望打算弃了这系列,无聊又找来看…也许是看了第3部的原因,觉得第4部出乎意料的不错,多线发展让剧情还算紧凑,每个人各自为战,有惊悚有悬疑,气氛营造的也挺抓人,有点老式科幻惊悚片的感觉(不过现在除了技术方面大多数惊悚片拍来拍去感觉还是几十年前的水平,甚至更差),连结尾都是熟悉的绝境逢生再留有悬念,如果出第5部的话还是会看吧。
(话说真心不知道导演想表达个什么,如果按照原本伪纪录片的形式拍还算蛮独特蛮经典的系列,可惜了,形式变普通,主题也…貌似没什么主题……第1部病毒-生化危机,第2部驱魔-恶魔附体,第4部果不其然再变为寄生虫,请忽略第3部,真心后悔浪费了宝贵生命中的一个多小时,女主很漂亮是唯一的安慰~)
剧情展开和整体节奏还是比较快的。
最尴尬的地方是,看过死录2的人都知道,女主已经被恶魔附体了。
但是后期的剧情告诉你,女主洗白了,黑男才是被附体了。
这个反转给人的感觉,不是惊艳,而是尴尬。
而且像是在种族歧视。
剧情上,有两个迷点。
丧尸跑了,不按警铃又是为何?
船员有所警戒也是好的。
大后期黑男要把 虫子还给 女主又是闹哪样?
确实看不懂,动机不明。
讲诉了女主角从隔离船上逃出生天的故事。
第四部神棍元素有很大削弱,船上没有牧师,也没有教堂。
相比《行尸走肉》中干瘪迟钝,要靠团队力量才能站住脚的丧尸,还有《生化危机》中已经沦为现代进攻武器的科技恶魔,本片算是嗜血生猛,简单粗暴的原始回归。
只要你熬过开场让人哈欠连天缓慢代入故事的30分钟,你就会感受到后面的竟然嗜血暴力!
别再拍了,从第一部那么好拍到现在那么烂……看不下去了都。
广袤的大地上,一对父女开着一辆破旧的电影放映车似乎没有方向的前进着。单身父亲和女儿的对话不多,可是女儿在成长的过程中开始叛逆,她看到自己的生长 也发现了身体的成熟,也发觉父亲对野女人的性事。似乎没有什么特别的声音(电影、电影院),大家静静的看着电影里的故事,好像有一世我们也是这样生活着。
2024BJIFF 不失为一种末日
这个就很难评奔着看风景的心态选了这部不过中间确实是一度要睡着
3.5
摄影很美...但是...
每一次摇移和zoom都有一个精心设计的落点,未免太功利。
影片像是一个摄影集
电影是好的,但不能在蹦完迪的第二天看。
7.0/北影节第五部 清冷 肃杀 叛逆 逃离 移动长镜头组成了全部内容 配乐很紧迫惊悚 无睡点但无共情处
3.5
壮阔,苍凉,颓败。很contemplatif的影片,摄影加分,但不适合困的时候看。
不懂评论说的什么“故事”“叙事”,好震惊,这种弥漫出荧幕的张力与情绪竟然无法被感知。无言的隐隐对抗的相互厌弃又牵挂的父女关系,女儿反复追问的未来,被甩在时间外的村子与放电影的游牧民族,揍人也被人揍的男人,那么想去的海边原来是为了撒下妈妈的骨灰,一夜的放纵与回归……草原上飙车带起沙尘的镜头太酷了,那瞬间觉得幸好我有来看
3.5+,俄罗斯大师片,痛苦与破败的想象。
两种影像风格交织,一种是上个世纪的塔可夫-安哲-阿巴斯脉络,让人动容;另一种是极度烘托主观化的当代影像手法。与之匹配的是两种叙事脉络,失语且无力的男性、荒野与俄罗斯的外在象征性是给欧美电影人说的;另一条是父女公路片,无论什么时期的俄罗斯精神都会在女性身上得到彰显。很棒的片子,非常风格化且有标识度。当代青年导演的四百击。光非常讲究。
太多固定长镜头了,能懂导演为什么这么拍,但是完全有不像学生作业手法的更优解……
充满能量,或许导演也在躁动。
11th@14th bjiff@北京坊。俄罗斯公路片。中间放电影认识骑摩托车男孩那段睡着了一会儿。颗粒度很高的真电影,像是我猜测的白内障患者眼中的世界,模模糊糊枯黄灰蓝的调子。风景美。海边气象观测站和退潮死鱼画面对我来说是种奇观了,盯着画面仔细地看想把它们深深印在脑中。出现的三个女人加摩托车男孩的背部都很美,薄薄的脂肪加标致的肩胛骨。中间看男主轮廓隐约跟普丁一个模子嘛,又走神想了一下欧亚大陆最标致的元长相在中心而中心是哪里这个问题,从中心往四周人们五官和轮廓脸型都开始逐渐变化。警察打人那段不喜欢,似乎在自我强化野蛮性和非文明性。男主好有魅力。为啥父女俩不多说点话呢。最后字幕出现了摩尔曼斯克,似乎是拍摄于那里。
胶片颜色好好看,女生好好看,到最后一幕猛地想起开头那句“这里的水不干净”…啊…是一个有头有尾的故事,话少,喜欢。
14thBJIFF丨十分克制的叙事,十分不克制的视听。在寒冷的北地寻找一片海,风车巨大的风叶挡住太阳吞噬阳光,萧瑟与肃杀的环境中默然的人物,孤独的个体离群索居,缓慢的移动长镜骤变为疾速的林间掠影,转折由此诞生。露天放映的巡回影院不失为一种元电影的小小嵌入。俄罗斯电影真是自成一派。
BJIFF 14|“It seems that the summer is going to be cancelled.” 有人带着女儿和投影仪四处流浪放电影,有人裹着大衣在荒原的路边卖冯内古特和卡夫卡。人与人之间都没什么话可说,一瓶烈酒、暴力的拳头、砸向玻璃的石块和裸体照片就是情绪的全部表达。内心和自然一样神秘而令人畏惧,非常俄罗斯。看的时候发现一些画面明显有胶片受损的痕迹,大概是刻意为之? P.S. 电影画面真的很像“从世纪金源(对不起 但那个商场真的好像)到瑞瓦肖”啊… 以及中文字幕又在胡乱翻译了,have enough fling都不能好好翻嘛…